No. 340-010
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Artist: John Dalby
Date: 1835
The Quorn Hunt in Full Cry - Second Horses
The composition of the artwork transports viewers into the heart of the action. Dalby skillfully brings the scene to life with vibrant colors and dynamic brushstrokes, creating a sense of movement and vitality. The horses, depicted with meticulous attention to detail, exude strength and grace as they leap over obstacles, their powerful muscles taut with exertion.
The focal point of the painting is the group of riders mounted on their second horses, positioned prominently in the foreground. Dalby expertly captures their animated expressions, conveying a mix of determination and exhilaration. The riders, dressed in traditional hunting attire, don red coats that serve as a visual anchor, drawing the viewer's gaze towards the heart of the composition.
In the background, the remainder of the hunt can be seen, a blur of riders, hounds, and landscape. The rolling countryside, depicted with skillful brushwork, evokes a sense of vastness and adventure. The atmospheric perspective adds depth to the scene, with distant hills fading into a hazy backdrop, emphasizing the speed and intensity of the chase.
Dalby pays homage to Henry Alken's original artwork by recreating the spirit and essence of the hunt in his own unique style. The piece captures the thrill, tradition, and camaraderie associated with fox hunting, reflecting the timeless allure of this longstanding equestrian pursuit.
Your artwork will replicate authentic paintings found in museums; using the same ink, paper and printing methods they do.
Our archival Giclée prints are loved for their vibrant colour range and the handmade feel of their beautifully textured papers. Each piece of Heritage Art is printed on 312gsm fine art media. The print you will receive is made from 100% cotton pulp, guaranteed to last hundreds of years without fading or discolouration.
Our pigment ink has longevity rates of over 100 years. We use eight different ink colours profiled to match the archival paper to achieve a perfectly colour accurate reproduction of the original art piece.
Our board mounted prints are the traditional way of displaying your artwork and provide added protection from warping in the frame over time. Board mounted prints can also be displayed without a frame.
The process of archival art mounting involves fixing your artwork to an acid-free substrate. This enables your print to sit flat, either directly onto a wall or in a frame. Made from 100% virgin fibre, with a 2mm thickness, board mounted prints are an exceptionally light and cost-effective mount for creating a beautiful flat print prior to framing.
Unmounted prints are printed onto the same exceptional fine art paper and will require framing.
Digital downloads will be emailed to you within 36 hours. You will be sent a personal dropbox link to your ready-to-print file.